My book Wireless Dada Telegraphic Poetics in the Avant-Garde is out now from Northwestern University Press. Read more about it on their website. You can order the paperback edition directly from the publisher at a 25% discount using the discount code NUP2019.
This Saturday I’ll be presenting at the symposium “Art and the Contemporary Refugee: Narratives, Memorials, Communities” at the Kemper Art Museum, an event organized by Sabine Eckmann and Svea Bräunert in connection with the museum’s current exhibition, Ai Weiwei: Bare Life. My talk is entitled “Imagining Migration: Human Rights and Refugees in Erpenbeck and Ai Weiwei.”
My translation of a brief essay by Jenny Erpenbeck on the fall of the Berlin Wall was published in The Guardian on November 9, 2019. Read it here.
My latest article, published in April in The German Quarterly, discusses Regina Ullmann’s fiction, a Heimatfilm called Hoch droben auf dem Berg, and contemporary digital art by Monica Studer and Christoph van den Berg. It’s an exploration of how the concept of Heimat interacts with the idea of mediation, with the alliterative title “High‐Tech Heimat: Mountains and Mediation in Literature, Film, and Digital Art.”
“My writing began with reflections on borders, reflections on how we change over the course of our lives, voluntarily or involuntarily, reflections on what identity is, and how much we can lose without losing ourselves.” Read my translation of Jenny Erpenbeck’s 2018 Puterbaugh Keynote lecture, online in World Literature Today.
My latest article is now online (behind a paywall) in Configurations: “‘Do the New Poets Think? It’s Possible’: Computer Poetry and Cyborg Subjectivity.” Kurt Vonnegut, Alan Turing, Max Bense, computers writing poetry, disaster on the high seas, this article has it all.